Narcopolis

“Narcopolis” by Jeet Thayil (India)

Favourite Extract

Instead of solving one problem he found another, he became an addict and he got lost in Bombay. But even in the lost years, or decades, he was reading. What did he read? Whatever came his way, he was unsystematic. He had no discipline and he could afford not to, after all he was not aiming to be a scholar. He read because it gave him instant gratification in a way nothing else did, and, as was the case with all addicts, gratification was the important thing.

Synopsis

In Old Bombay, they say you introduce only your worst enemy to opium. But in Rashid’s opium room on Shuklaji Street, the air is thick with voices and ghosts. A young woman holds a long-stemmed pipe over a flame, her hair falling across her eyes. Men sprawl and mutter in the gloom. And now there is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. In broken Bombay, there are too many to count.

Stretching across three decades, with an interlude in Mao’s China, Narcopolis portrays a city in collision with itself. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

Nicola’s Creative Reading Group reading list

Year 7 – “Asia & the Pacific” (Oct 2013 – Jun 2014)

“The Patience Stone” by Atiq Rahimi (Afghanistan)
“Burnt Shadows” by Kamila Shamsie (Pakistan)
“Narcopolis” by Jeet Thayil (India)
“A Golden Age” by Tahmima Anam (Bangladesh)
“Reef” by Romesh Gunesekera (Sri Lanka)
“The Solemn Lantern Maker” by Merlinda Bobis (Philippines)
“The Secret River” by Kate Grenville (Australia)
“Once Were Warriors” by Alan Duff (New Zealand)
“Frangipani” by Célestine Hitiura Vaite (Tahiti)

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